Rating: 5/5
Review:
Excellent
I thought Dunbar was excellent. I approached it with a little trepidation
because a modern re-imagining of the King Lear story could have been worthy or
turgid or forbidding or just plain terrible.
In fact I found it gripping, witty, touching and very readable.
Henry Dunbar, the Lear character, is a billionaire media
mogul and the machinations of the characters are in the business and financial
worlds which, given the events of the last couple of decades, works extremely
well. In the characters of Abigail and Megan (Goneril and Regan), St.
Aubyn catches the lazily indignant sense of entitlement and the unthinking,
self-absorbed cruelty of the over-privileged sisters. Dunbar escapes from an
institution in the Lake District to which these two have
secretly committed him, and we get a brilliant picture of a disintegrating mind
as he wanders the fells…and so on.
The plot is recognisable without being slavish to the
original, and St Aubyn uses it for some very well-aimed barbs at modern finance,
the behaviour of the super-rich and other aspects of contemporary life. He writes beautifully, in prose that is
elegant but simply carries you along without drawing self-regarding attention
to itself. I marked lots of neat
passages and phrases, like an institution which "could not keep up with
the modern demand for a place in which to neglect the mad, the old and the
dying," or the rich, powerful man who "knew what it was to be
surrounded by a halo of hollow praise," which seemed especially apt in
2017. The humanity and pity of the play
are all there, too, and in the context I found, "Florence,
is that you? I've been looking for you
everywhere," every bit as moving as,
which for me is really saying something.
In short, I found Dunbar readable,
gripping, witty, moving and insightful and I can recommend it very warmly.
(I received an ARC via NetGalley.)
No comments:
Post a Comment