Rating: 5/5
Review:
Impressive, insightful and readable
I thought this was a very fine novel. Narrated by René, an aspiring filmmaker, this
is an account of the arrival in New York
in secretive circumstances of a super-rich family from India
and the subsequent, often cataclysmic events surrounding them, in which René
plays a part. The slow emergence of a
dark history of corruption and evil is paralleled by Rushdie's perception of
the rise of ignorance, untruth, bigotry and hatred, and of "The
Joker" (i.e. Trump, although he is never named). I found it a slow but gripping story
which Rushdie also uses as a vehicle for
portrayal and discussion of the times from 2008 to 2016 – the Obama presidency
– including penetrating analyses of many of the issues of our time.
The writing is brilliant.
It is discursive, sometimes addresses the reader directly, even
sometimes adopts the form of a screenplay and has a wonderful voice of its
own. It is full of cultural allusion of
all kinds, especially to film, so that even a neat, passing phrase like
"in the age of the search engine, all knowledge is just a motion
away," made me suspect that the echo of Paul Simon was deliberate. References to literature abound - including, I was rather shocked to note, a
misquotation of Kipling :o). - and a
friend who is a classical scholar assures me that it is also crammed with
references to Greek and Roman literature and myth, only a small portion of
which I noticed, I suspect. No doubt
there is more which I failed to spot entirely.
This could be dreadful: apparently self-referential writing
full of cultural references almost shouts of an arrogant, conceited author
showing off for all he's worth, something I can't stand in writers like Tom
McCarthy, for example. But it isn’t like
that at all; it's readable, engaging and enjoyably insightful and intelligent. Most of the time it really works and I loved
it.
It's not flawless. I
found the denouement a little slick, for example, (in spite of the "if
this were a movie" disclaimers) and the postmodern blurring between
supposedly objective narrative and things René has "made up" for his
screenplay did get a bit much occasionally, especially in a book which
excoriates the Trump-inspired replacement of truth with untruth. It could be argued that this is simply
mirroring and illustrating what Rushdie is criticizing, but it felt to me a
little too much like trying to have his cake and eating it.
Nonetheless, I thought The Golden House was excellent. I confess that I've not read a Rushdie novel
since giving up on Midnight's Children
35 years ago, so I was slightly dreading this, but I was very impressed by its
intelligence, its insight, its superb writing and – slightly surprisingly - its
readability. In short, I think this is
an important, insightful book which is also a very good read. Warmly recommended.
(I received an ARC via NetGalley.)
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