Rating: 5/5
Review:
A terrific novel
I think this is a terrific novel. The publishers kindly sent me a copy for
review and I enjoyed it enormously – it is thoughtful, humane, touching and
very funny at times, and it has important things to say about family, the
meaning of home, the difference between artifice and genuine human experience
and other things.
The story is narrated by Harry Fox-Talbot ("Fox")
in two intercut times: as a young man in the years following the Second World
war and as an old man in the years following the death of his wife in
2000. Fox is a composer and devotee of
folk music (the song collector of the title) and its connection to the land and
its history. The story is of Fox's life,
his music, his loves and relationships and his fight to save the old family
estate in Dorset as the family runs out of money. Frankly, it doesn't sound that enticing, but
Natasha Solomons writes so well and with such clear insight coupled with warmth
of heart that I found it completely engrossing.
Solomons writes in lovely, unmannered, readable prose which
is a pleasure to read. She writes
wonderfully well about music and has an ear for a striking simile, too, so a
cup falls and breaks with "a xylophone crash" for example. She paints vivid pictures of landscapes and seasons,
and her characters are wholly believable.
Their voices, in particular, are exactly right – like the eight-year-old
complaining that his mother can't distinguish good piano playing from mediocre
because she has "stupid ears."
Fox's narrative voice is pitch-perfect, I think, both as a privileged
young man in the forties and fifties and as a grumpy old man in the current
century. It is witty (and laugh-out-loud
funny at times), perceptive and exactly right in the language he uses making
him completely real to me. He makes
remarks as a young man like "I like the cellist very much, but not when he
plays his cello," which tells us a great deal in a few words about both the
subject and the speaker. Then there are
genuinely funny but also very perceptive comments from the older Fox on TV
talent shows, and the horribly artificial perfection of a Florida
retirement community, for example, and the portrait of an old man coming to
terms with the modern world, his own mortality and his past is insightful, humane
and very affecting.
I could go on, but this review is probably already too
long. I think this book has real
humanity and profundity while being utterly engaging and easy to read. It is funny in places and very moving in
others. I think that Natasha Solomons
has established herself as a significant novelist, and I hope this attract the
attention it deserves. I loved it, and I
can recommend it very warmly indeed.
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