Monday, 29 February 2016

Virginia Reeves - Work Like Any Other


Rating: 5/5

Review:
Quietly excellent

I thought this was a very good book indeed.  Before I began I wasn't sure whether I would like it, but I thought it was excellent and I enjoyed it far more than I expected to.

Set in rural 1920s Alabama, the story is narrated in two voices: one is a third person narrative, the other is told in the first person by Roscoe Martin.  Both are very well written in evocative, readable prose.  Roscoe is an electrician who is now reluctantly working his wife's farm, with his infant son and Wilson Grice, a black hired labourer whose wife Moa and their family are long-trusted friends.  Roscoe's attempt to bring electricity to the farm eventually has terrible consequences which result in his imprisonment, and the book explores the effect of this on him and on those around him.

I thought it was excellently done.  The first third or so of the book is good but not terribly engaging, but as events and characters developed I found myself being drawn in and eventually completely gripped.  The book explores the nature of guilt, of forgiveness and of redemption – and it does it brilliantly, I think.  It is complex and subtle, as are the ideas it deals with, perhaps epiomised by Roscoe's statement, "I am still unsure of my debts."

Crucially to this, I found Virginia Reeves' treatment of all her characters quite exceptionally good.  They are flawed and not always sympathetic, but always compelling and wholly believable.  There is an excellent historical background, too, not overdone but very real.  This includes the often dreadful treatment of black people, especially prisoners, which is never laboured but extremely sharply portrayed.

I ended up being utterly gripped by this book, not because there was frantic action and a thrilling climax, but because the characters drew me in so strongly and the ideas were so thought-provokingly dealt with.  I found it gripping, thoughtful and sometimes extremely touching.  I think it is a book of quiet excellence, and I can recommend it very warmly.

(I received a free ARC from Netgalley.)

John Banville - Ancient Light


Rating: 4/5

Review:
Brilliantly evocative, but...

Whether or not you like this book will depend on your response to Banville's style. The story is slow and contemplative; narrated by an ageing actor, it tells the story of his first sexual awakening in an affair with the mother of his best friend, the suicide of his daughter ten years ago and his current involvement in shooting a film. He often addresses the reader directly, describes things in unusual detail and digresses from the tale into odd preoccupations and observations. The book is about the nature of memory as much as anything - how we remember, misremember and unknowingly invent - and I think Banville does this brilliantly. He describes very believably how memories seem to work, realising for example that he remembers autumn leaves lying when the event must have taken place in April, or forgetting the content of a really important conversation but remembering small details about where it took place. He conjures astonishingly vivid scenes from minutiae like the smell of a stone wall by a road or the wafting of steam from a kettle, and comes up with some wonderful descriptions like the woman who "really is of the most remarkable shape, and might have been assembled from a collection of cardboard boxes of varying sizes that were first left out in the rain and then piled soggily any old way one on top of another."

It will probably be clear early on whether you are going to enjoy the book. The second paragraph of the book begins, "What do I recall of her, here in these soft pale days at the lapsing of the year?" and a few pages later, "...I would lie with my cheek resting on her midriff...and in my ear the pings and plonks of her innards at their ceaseless work of transubstantiation." I think if you like all this, along with things like talk of "vermiform corridors" and descriptions and speculative character analysis of a random tramp, you will like the book and if you don't, you won't.

Personally, I loved individual parts but found a whole book of it a bit much so I find it difficult to give an overall rating. I can't recommend it unreservedly because it became a bit of a struggle slogging through it all, but I would be very sorry not to have read it. I suspect that a lot of people will love it and a lot will dislike it. I hope the above has given you some idea of whether or not it will be to your taste.

Gabrielle Zevin - All These Things I've Done


Rating: 3/5

Review:
Not really for me

This book is a reasonably engaging, light read. In fairness, I am not its target audience and just because this male grumpy old git didn't enjoy it all that much doesn't mean you won't, but I wasn't terribly impressed with the story, the characters or the development of a potentially interesting setting.

The plot and setting is well summarised elsewhere, so I'll spare you another recap. The story is rather slow to get going but picks up fairly well and has enough interest to hold the attention. It has an original-sounding setting in a dystopian future New York, but the sense of time and place were disappointingly underdeveloped. The characters were reasonably well done but seemed to me to be a fairly bland set of stock figures, often placed in versions of pretty familiar situations. I never really engaged with them, which meant that the romance at the heart of the book fell rather flat for me.

It is generally well-written (apart from the odd moment of very clunky dialogue) which makes it flow smoothly and means it is easy to read. It is plainly aimed principally at young women and I suggest that you read some of the more favourable reviews from them before deciding whether or not it will be for you.

Sunday, 28 February 2016

Benjamin Black - Vengeance


Rating: 4/5

Review:
Well written, but not one of his best

I enjoyed this book, although I do have my reservations about it. Set in Ireland in the 1950s, pathologist Quirke investigates two deaths in two families who together own and run a large business. This is the fifth in the Quirke series and it helps to have read some of the earlier ones although it isn't essential.

The plot, frankly, is slight and predictable and anyone familiar with crime fiction will spot most of what is coming from an early stage. Although not as floridly literary as when he is writing under his own name, Banville's underlying interests are the same: insights into how character works and rich evocation of time, place and the internal lives of his characters. He succeeds well with all of that here; my reservations are mainly that I didn't feel that this was quite enough to carry the book with so little interesting plot. Personally, I don't find Quirke a terribly interesting character so having his thoughts and behaviour as the central theme of the book didn't really work for me, and Inspector Hackett, who I found a wonderful creation in the previous book, scarcely gets a look-in here. However, there is enough in other characters to hold the interest and I found I wanted to see how things turned out.

I suspect that readers looking for a good crime thriller will be a bit disappointed, but fans of Banville will love this. It's not a gripping read, but recommended nonetheless as a thoughtful and contemplative one with a good deal of interest.

Rosemary Sutcliffe - Dawn Wind




Rating: 4/5

Review:
An enjoyable historical adventure

I enjoyed this book, but had some small reservations about it. Rosemary Sutcliff is a terrific writer and I had read a couple of her books when I was young, so I was very glad to try this. It is the story of Owain, a young Briton at the very end of the 6th Century AD, who survives the battle in which the Saxons finally destroyed the resistance of the Britons in Wessex and his subsequent adventures. It paints a fine portrait of life in Britain at the time and the power struggles between different Kings and peoples, and Sutcliff also shows a very good understanding of the characters who would have been living then and brings them to life for us wonderfully.

Owain is an engaging protagonist and there are some very exciting episodes as well as a great evocation of domestic life at the time. I did find that the book dragged a little between about pages 100 and 160 - a surprise from Rosemary Sutcliff - but it picked up very well and I was glad I had persevered. Sutcliff writes very well; she is straightforward but never patronising and meshes her characters, the setting and historical events with great skill so that they form a coherent whole.

Plainly, other reviewers here didn't share my slight reservation (there is a charming and heartfelt review by Hongertree beginning "This is my favourite book in the whole world ever!" which I suggest you read for another view) and I wouldn't want to put anyone off. This is an enjoyable and engrossing book with real content and in spite of having found it slightly hard going in places, recommend it to both young adults and to not-so young adults like me.

Sunday, 21 February 2016

C.P. Snow - The Physicists


Rating: 4/5

Review:
An enjoyable, readable account of 20th Century physics

I first read this book 30 years or so ago and enjoyed it very much as a readable and informative survey of 20th-Century physics and the people who developed it, including the development of the atom bomb and it is still very good.

CP Snow was a fine scientist himself and also a very accomplished novelist, so this is a very well-informed and well written account. It is often anecdotal and discursive. We get a good account of the science, written in terms a lay person could follow, and insights into the lives and characters of the scientists themselves. There is some pretty well-known stuff, like the famous walk in the snow by Lise Meitner and her nephew Otto Frisch which yielded the idea of nuclear fission, but also smaller, more intimate insights and personal sketches - often of people whom Snow knew personally.

This was the last thing Snow wrote and is a draft completed just before his death in 1980 of a planned longer work. It works very well as it is and its concision is a bonus, I think - Snow could be somewhat long-winded for my taste and this is admirably to the point throughout. The book won't serve as a definitive history, but is an excellent and enjoyable overview, very well illustrated with photographs. I had studied a lot of this stuff in some depth but still enjoyed it a great deal, and it would be an excellent introduction for the non-scientist. Recommended.

Julie Myerson - The Stopped Heart


Rating: 5/5

Review:
A very good, very dark novel



This is a very good book, I think.  It is dark and oppressive, so don't look for a light beach read here, but it is exceptionally well done and very gripping.

The story is told in two intercut narratives, set in the same quite isolated, rural cottage in Suffolk.  In the present day, a grief-stricken woman and her husband buy and move into the almost derelict cottage.  In earlier times, a mysterious stranger comes among the farming family who live there, and the two stories develop in parallel.  It is a compelling narrative, with both stories becoming very gripping and with a growing atmosphere of oppression and menace. 

Julie Myerson structures and paces her story very well, she creates extremely vivid and believable characters and the prose is excellent: unfussy, readable and each style appropriate to its time.  I thought the whole thing was very good and I can recommend it wholeheartedly – just be prepared for an intensely dark experience.

(I received a free ARC via Netgalley.)

Friday, 19 February 2016

William Brodrick - The Sixth Lamentation


Rating: 4/5

Review:
Good, but has its flaws

I thought many things about this book were very good. I like Brodrick's prose style, I think he deals with the moral issues around collaboration and the Holocaust well and unsensationally, and he can create a really convincing set of characters and places. The story of Anselm delving into events in wartime Paris is interesting and the present-day trial scenes are gripping and convincing.

However, I think Broderick would be much better off sticking to a more straightforward type of storytelling rather than trying to underpin the book with conventional Crime Thriller structures. Anselm's constant and transparent incorrect conclusions simply irritated me (as they did in The Day Of The Lie), the coincidences got a bit much, the tricks for concealment of evidence became more than a little implausible and the denouement seemed like a fusion of the climax of a Restoration comedy ("Brother!" "Father!" "Sister!" and so on) with one of Dickens's more sentimental deathbead scenes. I did find one aspect of it moving, but felt rather manipulated into it. And I found the final revelation, almost as a postscript, simply risible after all that had gone before - the book would have been much better and more believable without it.

I did enjoy this book. It's well-written and involving for much of its length, but a less convoluted plot would have been rather more effective, I think.

The Bluffer's Guide To Wine


Rating: 4/5

Review:
Entertaining and informative

I thought this was terrific. I had the good fortune to be sent a few of these Bluffer's Guides for review by the publisher: they are pocket-sized and only around 150 pages long and I have found them all amusing, informative and very enjoyable. This is one of the best. The Guides are, in fact, a bluff in themselves because although they purport to be a handbook for those who simply want to bluff their way, they use this as a cover for providing lots of very sound fact, written by people who really know and love their subject while being very witty about it and often scathing about the pretence which surrounds it.

I suspect that this will be read by a lot of people who, like me, aren't experts by any means but drink quite a lot of wine (yes, doctor, I know - sorry) and have picked up a fair bit of basic knowledge of grapes, regions and so on from the experience and from reading labels. This Bluffers' Guide is a witty, erudite, shrewd and pretence-free guide to may of the things we know a bit about and lots and lots we don't from super-basics to some quite out-of-the-way snippets. It contains invaluable tips on where good wine is currently made and what to look out for, in the guise of giving you nuggets to show off with. As an example of their style: "Napa's wines are like Hollywood teeth: huge, unnervingly bright and faintly unbelievable," which made me smile.

Where it is really helpful is in the deep knowledge of its authors who are ruthless and direct in separating quality and important fact from myth and pretension. They explain (and debunk where necessary) a lot of the stuff written and said about wine, and it's a delightfully unpretentious and enjoyable read throughout.

Warmly recommended to anyone with any interest in wine. It's fun to read and a source of masses of really helpful information and opinion.

Thursday, 18 February 2016

Jane Rogers - The Testament of Jesse Lamb


Rating: 5/5

Review:
An excellent, thought-provoking read

I thought this was an excellent book. A good number of other reviewers don't agree, but I found it thoughtful, gripping and very well written.

The plot has been well rehearsed elsewhere, but revolves around a 16-year-old narrator, Jessie Lamb, in a near future in which a virus has begun to cause the death of any woman who becomes pregnant. Jane Rogers uses this to reflect on a number of social issues including attitudes to women, animal research and so on. She also paints very sharp portraits of conflicting pressure-groups, both politically and religiously motivated, and of their utter moral certainty and the consequences of their conviction that they alone can see the truth.

What makes this really good, though, is Jessie's voice. I found her a completely convincing and rather engaging portrait of an adolescent, with that odd mixture of utter certainty that they can see the truth and insecurity in their search for ideas and identity, of both deep love for her parents and utter rage at them, and so on . No easy answers are presented, and there are few, if any, out-and-out good guys and bad guys, which I think is a real strength of the book. I found that the story built to a gripping climax despite there being no car chases or stand-offs with a killer. It's a beautifully written and structured tale

I would warmly recommend this to anyone who enjoys a readable, gripping and thought-provoking book.

Patrick Ness - More Than This


Rating: 5/5

Review:
Exciting, gripping and thoughtful

I thought this was an excellent book - exciting, engrossing, extremely readable and full of interesting ideas and thoughtful reflections.

It is hard to give a flavour of the plot without giving too much away, but the opening of the book is "Here is the boy, drowning." And he does drown, quite irrevocably, and it's brilliantly and chillingly described. And he then wakes up somewhere unknown...but not quite unknown. One of the very well-handled themes of the plot is not knowing what is real and what is made up in one's head (including a powerful modern restatement of Descartes' "Cogito ergo sum"). There are echoes of The Matrix, Total Recall and the like, but Ness also subverts the genre very successfully and this book has a good deal more moral and human substance than most works in this vein. It explores themes of sexuality, families, guilt and friendship without once becoming turgid or preachy and Ness keeps up the pace, the shocks, the mystery and the thrills throughout. He's a terrific storyteller and I was completely hooked.

After his, to me, disappointing The Crane Wife, Patrick Ness has returned to a genre in which he seems much more at home and this is far more reminiscent of the quite brilliant Chaos Walking trilogy. It may not have quite the depth and power of Chaos Walking, but it is very, very good and very warmly recommended.

(If you haven't yet read Chaos Walking I recommend it very strongly, too - it really is something quite exceptional.)

Wednesday, 17 February 2016

Adrian McKinty - Rain Dogs


Rating: 5/5

Review:
Another fine book from McKinty



This is the fifth Sean Duffy thriller.  I have enjoyed all of them so far, and I think this is one of the best.  It took Adrian McKinty a couple of books to really hit his stride, but he is now producing crime novels of real quality. 

We are now in 1987, and The Troubles are still raging in Northern Ireland.  Against this background Inspector Duffy of the RUC is presented with an apparent suicide.  In fact, the real background to the case doesn’t begin to emerge until almost half way through the book, so it would be too much of a spoiler to reveal what transpires, but it's a very good, convincing police procedural, with an interesting plot and McKinty's usual excellent sense of place and time, along with his use of real-life events, sometimes with added fictional elements.  I think it is very well done here, as is Duffy's narrative voice.  This is one of McKinty's real strengths, along with the excellent, believable characters he creates.  We also get the development of Duffy's personal life –again very convincingly - and there is a coda to the book which I found surprisingly affecting.

This works as a stand-alone book if you haven't read the previous ones, but I'd suggest starting at the beginning of the series with The Cold, Cold Ground if you can.  Even though the first couple aren't quite as good they're well worth reading and it's great to follow Duffy's story.  This is one of the best, I think, and warmly recommended.

Tuesday, 16 February 2016

Gerald E. Poesnecker - Chronic Fatigue Unmasked


Rating 1/5

Review:
Injurious and toxic

The title should have warned me. The word "unmasked", of course, means that only the author has the wit, insight and clinical acumen to show the rest of the world what is *really* going on. The problem, he says, is with the adrenal glands, which gradually cease to function under accumulated stresses. That's it. All the probing and research and uncertainty by excellent doctors all over the world is a waste of time. It's the adrenals and nothing else. In our present state of knowledge, nobody with this degree of certainty about the causes and nature of CFS/ME is to be trusted.

It gets worse. Much worse, in fact. In the chapter on Sex and the Adrenal Syndrome Patient the author asserts that we obtain essential health-giving substances when we mix our sexual fluids with those of someone of the opposite sex. However, if we are not both married and in love when we have sex, then the compounds which are "vital to the neuroglandular mechanisms" of our partner become "injurious and toxic". (No details of the compounds concerned nor any mechanism for this remarkable chemical transformation are given.) Further, we cannot expect to benefit from sex outside marriage because this is "breaking the Laws of Nature and of God, both of which will punish any and all lawbreakers."

Whether or not one agrees with it, the belief that sex should be confined to loving married couples is a perfectly respectable and defensible moral stance. However, to dress it up as science based upon wild assertion and threats of the wrath of God is disgraceful. Then to link this to the ill-health of CFS/ME patients is simply outrageous.

There is a deceptive and borderline-dishonest use of references to attempt to lend respectability to his argument. He argues, calmly and reasonably, against use of the Pill and IUD for contraception because of possible harmful side-effects. These are very well-known and no longer disputed by anyone, but Poesnecker carefully cites no fewer than eight references on the subject, listed, as is customary, in a References section at the back of the book. One's eye runs down a list of papers from highly respected medical journals: American Heart Journal, both the American and British Journals of Obstetrics and Gynaecology and so on. Very impressive - and utterly uncontentious. The next reference is cited after the following sentence:
" It is a foregone conclusion among advanced endocrinologists that various secretions of the human body can be altered by the emotional status of the individual, and compounds which under normal circumstances should be beneficial and sustaining can become injurious and toxic if produced in an environment of disturbed human emotion."
Now this is really controversial, not to say wacky. We can look up the reference which Poesnecker cites to support it, which immediately follows the list of prestigious papers on a peripheral subject which no-one disputes. Amongst all of these, the reference supporting the amazing statement above is not to the Journal of Advanced Endocrinology, but to Reader's Digest of May 1972, for heaven's sake, containing an article entitled Your Emotions Can Make You Ill by Blake Clark. Very few readers, most of whom will be sufferers rather than doctors, would bother to check this. At best, most of us glance in a general way through lists of references, and would be impressed with all of the solid medical papers cited. It's a very dodgy way of lending spurious authority to a thoroughly unscientific idea.

One worries that Poesnecker's Olympian self-certainty means that his diagnosis of Adrenal Syndrome is based on the notion that it must be true, and evidence to the contrary is to be ignored because it is just obscuring the truth. Statements such as the one I have cited above (and plenty of others in the book) are not science, they are articles of faith. Science attempts to describe, explain and predict the world as it is, and scientific ideas shape themselves according to the world we see. Poesnecker, on the contrary, seems to be trying to adapt the world to his ideas. People throughout history have tried this. None has yet succeeded, although some medical practitioners have done a great deal of harm to their patients in the attempt.

In fairness, the book makes some reasonable points, such as the difficulty which the medical establishment has had in coming to terms with CFS/ME, and the fact that sufferers recover better if they have a good diet and are loved and supported. It talks about allergies in a way which seems reasonable, at least to a non-clinician, and adrenal problems are a factor in the illness of some CFS/ME patients. However, all of this has been much better dealt with by people like Anne Macintyre, and much of Chronic Fatigue Unmasked is little short of ghastly. In my view, reading this book would be terribly injurious and toxic to your neuroglandular mechanisms, so don't.

Monday, 15 February 2016

Simon Hattenstone - Out Of It


Rating: 5/5

Review:
A very good book

This is the story of the author's three-year childhood illness. Simon was nine years old when he developed serious symptoms, but was faced with a cast of characters familiar to sufferers from chronic, hard-to-diagnose conditions and their carers: a GP who blamed the patient when he didn't recover, a social worker who was certain that Simon was just desocialized, a doctor specializing in necks who insisted that the cause was loose neck ligaments, a blinkered psychiatrist, and so on. The desperation of being frightfully ill but not being believed is brilliantly evoked, and when he also developed pneumonia he says, "The pain was bad, but how wonderful to have such a simple, non-ambiguous illness.....You're ill, they give you pills,... you recover. I couldn't believe that a disease could be so easy."

The author gives brutally honest accounts of his own behaviour, some of which is dreadful. Much of it is understandable when we know what was going on within and around him, but it must have been very difficult for others to bear. There are also portraits of wonderful humanity in friends, the doctor who finally listened and correctly diagnosed a brain infection, and in Simon's mother. She received almost continual abuse from doctors and plenty from Simon himself, but her belief that he was ill and could be cured never faltered. Nor did her love for her son, and she is the quiet heroine of this story. She says, "Those who helped our son, not necessarily with cleverness, but with kindness and humility, we'll never forget. Ordinary people who recognised suffering whether it had a name or not." She sets an inspiring example of this herself.

This book wrung my heart, made me angry, made me laugh and thrilled me with triumph. Warmly recommended.

Sunday, 14 February 2016

Charles Willeford - Miami Blues


Rating: 4/5

Review:
An enjoyable crime novel

This is a good, very readable thriller from 1984. Set in the Miami of the time, it features detective Hoke Moseley in pursuit of a very plausibly-drawn killer and I found it engaging and enjoyable.

Charles Willeford is a new author to me, and I am glad to have found him. He writes very well in the "hard-boiled" tradition of US crime fiction. He has a flat, unsensational style which makes the story grip and, slightly counter-intuitively, makes the action and violence all the more shocking when it happens. Hoke Moseley is a good central character and the "blithe psychopath" Freddy Frenger is very well drawn and disturbingly plausible. Miami and its seedier side are extremely well-evoked and I found myself thoroughly drawn into the book. It has to be said that the plot depends upon an extremely unlikely death and a coincidence which really ought to have made the author blush, but these both happen early on and everything hangs together well thereafter so they didn't really interfere with my enjoyment.

Good though it is, I am not sure this really deserves the title of a Penguin Classic. Willeford isn't in the same league as real classic authors of the genre like Chandler, Cain or Hammett, but it's a good read and I would recommend it to anyone who enjoys a good crime novel.

Malcolm Mackay - The Sudden Arrival Of Violence


Rating: 5/5

Review: A brilliant conclusion to the Glasgow Trilogy

This is the concluding volume in Malcolm MacKay's excellent Glasgow Trilogy and it maintains the brilliance of the preceding two. It is comprehensible if you haven't read the previous two, but I would strongly recommend beginning with The Necessary Death Of Lewis Winter and How A Gunman Says Goodbye because the story and characters progress through all three to the climax here.

The story is of the Glasgow underworld and how different "organisations" manoeuvre for power between each other and within themselves. As before, we get the points of view of a number of characters which is a difficult trick to pull off but MacKay does it brilliantly, showing the way in which these things play out and the rapid changes in perspectives and loyalties as things change. He is so good at this that, slightly disturbingly, I found myself concerned for a cold-blooded gunman and wanting him to be safe. It's an excellent, exciting and thoughtful story, full of tension and insight and which avoids most of the clichés of the genre.

I find MacKay's style riveting. He writes mainly in short, staccato sentences. Not many adjectives. No similes or metaphors. It moves the action along. Builds the tension, too. You get the idea, and it's fantastically effective, I think. Despite the title, there isn't all that much graphic violence. What violence there is, is described in the same tone as the rest of the book which, to me, makes it exceptionally vivid and disturbing.

I was completely hooked on this as I have been on the previous two books. If you like a good crime novel (this is a lot more than a basic thriller) you'll probably love this and I recommend it very warmly indeed.

Friday, 12 February 2016

Natalie Haynes - The Amber Fury


Rating: 4/5

Review:
Very good

I thought this was a very good book. I tried it because I like Natalie Haynes's work as a critic, broadcaster and comedian but I wasn't sure she would be a good novelist. She is. The book has its flaws, but I thought it was very well written, involving for much of the time and full of intelligence and insight.

The story is of Alex, a recently bereaved young woman who moves from London to Edinburgh to escape the scene of her grief and begins to teach Greek Tragedy to a small class of "difficult" 15-year-olds in a behavioural unit. The story unfolds in two first-person narratives, that of Alex herself and Mel, one of her students. I don't want to spoil the plot by telling the story, but I found it very involving in the way Alex deals (and fails to deal) with her grief and the way in which Mel responds to Alex and what she is teaching. It is clear from the beginning that the story is heading in a dark, tragic direction and Natalie Haynes generates a fine sense of menace and tension which drives the narrative very well.

One of the book's great strengths is the sharp, often witty observations of both narrators, like Alex saying "I couldn't deal with perky can-I-help-you shop assistants. I couldn't deal with sullen why-should-I-help-you-I-didn't-ask-to-be-born ones either," which both neatly sums up Alex's state of mind and also stops it becoming turgid and impenetrable. I think Haynes gets the tricky balance just right and it's a fine, readable portrait of grief and its slow progression. I also found Mel's deafness very well portrayed and her descriptions of how others behave toward her shrewd and telling.

I did have some problems with the book. For example, Natalie Haynes describes parts of Edinburgh in minute detail, yet she somehow failed to give me much of a sense of the place, and, having taught some pretty "difficult" students myself, I found her idea of how students like that would respond to reading Aeschylus rather too rosy for credibility. More seriously, Mel's voice simply isn't that of a 15- or 16-year-old. She is too wise and articulate for this to be credible and, although they are often translated into teenage phrases, the observations and thoughts are very obviously the author's and not those of a "difficult" mid-teen girl. Even reading the book with enjoyment and good will, I found this an obstacle to really believing it.

Nonetheless, I would warmly recommend this book. In spite of its flaws, I found it engaging and gripping much of the time and it has genuine insights to offer, presented with wit and humanity. I think Natalie Haynes has real talent and I look forward to more novels from her.

David Hewson - The House of Dolls


Rating: 4/5

Review:
A very good crime novel

I enjoyed this book. I tried it because David Hewson was entrusted with writing the novels of the three TV series of The Killing and, while this wasn't as good as those excellent series, it turned out to be a well written and engaging police thriller.

In many ways this seems like a Killing clone to begin with: a missing teenager; a troubled ex-detective reluctantly drawn back into police work; political shennanigins in a fragile coalition and so on. It is also, to be honest, fairly well laced with clichés of the genre: the troubled ex-policeman brought back...etc (who also has a tragic personal involvement); the awkward, misfit partner; an arrogant colleague; political pressure on the investigation; a boss who wants the case closed but the detective Still Has Doubts...and so on. There is even a Stand-Off With A Killer climax. However, David Hewson writes very well and a handles all of this with real skill, so that it never felt tired or stale to me. I thought the characters very well-drawn, the story was involving and he generates a good sense of place in Amsterdam.

The book even has a quiet brilliance about it in places, I thought. For example, there is a little scene, just three pages long in which Bakker (the awkward new recruit) and Koeman (a minor character among the detectives) are talking in the canteen which seemed an utterly genuine exchange between two real people and which I found rather touching. Quite a lot of this underlies the book and lifts it well above the ordinary, I think.

This isn't fabuously original or any kind of literary masterpiece, but it's well plotted with a gripping story and has convincing characters and a good sense of place. I became very involved and will certainly look out for more books featuring Vos and Bakker. Recommended to anyone who likes a good crime novel.

Howard Jacobson - Shylock Is My Name


Rating: 5/5

Review:
An excellent book



I thought this was excellent.  I approached it with a little trepidation because I'm not that keen on the idea of re-working Shakespeare and I haven't always got on with Howard Jacobson's work in the past, but I found Shylock Is My Name thoughtful, funny, profound and very readable.

This is only partially a modern re-working of The Merchant Of Venice.  Certainly many of the familiar characters and scenes from the play are represented here with real wit and a shrewd sideways take on modern life.  The book is set in Cheshire's Golden Triangle where footballers, daytime TV presenters and other very rich people live in large, expensive houses.  The Portia character, Pluribelle, hosts a daytime TV show which is a sort of Jeremy Kyle equivalent in which she arbitrates between bickering people, and the choosing of the caskets, for example, is done with a Porsche, a Mercedes and a VW Beetle.   And very funny it is, too.  The pound of flesh is here changed to a foreskin removed by circumcision, which given that attitudes to Jews is one of the central themes of the play, takes on added significance.  Jacobson does all of this and makes plenty of other references to the play with real wit and erudition, I think. 

However, the book opens with its protagonist, Simon Strulovich, meeting the real Shylock from the play and inviting him home.  The interaction between the two allows Jacobson to go beyond just retelling the story and it becomes a sort of riff on the themes of the play and an intelligent, insightful analysis of important ideas – in particular the nature of bigotry and the effect it has on all concerned.  Because this is The Merchant, the bigotry here is anti-Semitism, but Jacobson has important things to say about the way in which bigotry works in a wider sense.  We see the naked, name-calling and spitting race-hatred of the play compared to modern, more subtle forms of prejudice.  We also see the way in which the prejudiced may genuinely believe themselves to be free of prejudice, how prejudice may be perceived even when it is wholly absent and what an unholy mess this can create.  The climax to the book is quite brilliant and extremely moving as Shylock gives two exceptionally powerful speeches which will linger with me for a long, long time.  (I won't reveal more because I think knowing more would spoil the effect.)

There are some very good jokes and some great digs at the fatuities of modern life, like endless cosmetic surgery or pretentious, meaningless psychobabble – for example, "He felt suddenly very weary. Compound words ending in centric had that effect on him."  There are also some very affecting moments of real emotion.  I found the whole thing a pleasure both for its thought-provoking content and as a gripping read.  It's a very good book indeed and I can recommend it very warmly.

(I received a free ARC via Netgalley.)

Thursday, 11 February 2016

Karen Joy Fowler - We Are All Completely Beside Ourselves


Rating: 5/5

Review:
Funny, thoughtful and engrossing

I thought this was an excellent book. It has a brilliant narrative voice telling an engrossing story, it is very funny in places and covers some very important themes with insight and compassion.

Do avoid spoilers if you can because the narrative is very well structured so that revelations come in a way which makes you think all the more carefully about what is being said. This makes it difficult to say too much about the content of the book, but it deals superbly well with themes of how families interact (or fail to), of kindness and cruelty, of the nature of memories and of our childhoods and of our relationship with and responsibilities toward animals. There is also a reminder of the monstrous inhumanity (and deep unreliability) of some psychological and other experimentation. This makes it sound grim and worthy, but it isn't - it deals properly with serious matters, but never becomes turgid or preachy.

This is largely due to the great narrative voice. The story is addressed directly to the reader in the first person by Rose, whose life and family are the subjects here. She has a wonderfully dry, witty and slightly ironic voice which is never overdone but makes the book extremely readable. To give you a flavour, early on she recounts how no-one ever spoke to her about sex or menstruation. "One day a packet of junior-sized tampons was left on my bed along with a pamphlet that looked technical and boring, so I didn't read it. Nothing was ever said to me about the tampons. It was just blind luck I didn't smoke them." Or, describing her grandma who loved gossip, "...she was a great reader of historical biographies and had a particular soft spot for the Tudors, where marital discord was an extreme sport."

I really enjoyed this book. I found it readable, gripping, funny, thoughtful and moving - not a bad list of attributes in a novel. Very warmly recommended.

Wednesday, 10 February 2016

James Runcie - Sidney Chambers and the Perils of the Night


Rating: 5/5

Review:
Still very good



This second volume of Sidney Chambers stories continues in much the same vein as the first – and thank goodness for that!  I like them very much, and I am pleased to see the quality being maintained.

The book opens in 1955 as Sidney is required to investigate an Night Climbing death in Cambridge, along with his friend the excellent Inspector Keating…and you probably don't want to know much more than that before reading it.  The stories all have the combination of detective work and moral debate which lifted the first volume well above the huge crowd of current crime fiction.  Runcie continues to write very well in his unfussy style, and I think he captures the period very well – perhaps better than in the first book, which suffered a little from 1950s characters using 21st-Century language.  We also get Sidney's problems of the heart which I think are very well done and very convincing.

What it comes down to is this: if you liked the first book, you'll like this because it's just as good.  Recommended.

Tuesday, 9 February 2016

Zia Haider Rahman - In The Light Of What We Know


Rating: 2/5

Review:
Not for me

I'm afraid I didn't get on nearly as well with this book as many others seem to have done. In fact, I didn't get on with it at all. It has the Distinctive Style and Grand Sweep Of Important Contemporary Issues And Ideas of a book which expects to be considered for literary prizes. Possibly it will be, but personally I found the style convoluted and overblown, and the analysis and ideas far less deep and penetrating than they think they are.

There is an awful lot of verbiage and reference to historical, mathematical and other sources to draw attention to the author's breadth of knowledge, but I struggled to find much in the way of real new insight. For example, Rahman falls back on the good old Gödel Incompleteness Theorem as an analogy for the frailty of our ability to predict the future, which is hardly original or especially helpful. (Although in fairness, Rahman does know about mathematics so at least he's not just another novelist including hopelessly misunderstood ideas from maths and physics to try to lend their book extra intellectual credibility.)

Some flavour of what I mean can be found in this fairly early paragraph:
"Still. Let's be clear. Zafar is not the natural figure of biography and, in the end, my current enterprise has no footing in proper biographical enquiry. Rather, its basis is in the private and intimate connection between two people so that the field upon which his life has had significance and impact is, egocentrically, the field of my own self. The conclusion seems unavoidable, all the more so when confronted by this question: How far into the consequences of an act does one hold oneself responsible?"

It's fair enough to say that this isn't a biography but a portrait of a friendship, and that it also tries to examine how much responsibility and guilt we bear for the more distant effects of what we do - but what a needlessly convoluted and orotund way to say it! And "the conclusion seems unavoidable"? This is nonsense. It is the narrator's (and author's) free decision to write about Zafar's effect on him personally; it is not an "unavoidable conclusion."

This is just one example, which on its own I could probably excuse. But there's page after page after page of this stuff and I confess that it all got far too much for me. Plenty of others have found this book very good, so please don't be put off on my say-so, but I'm afraid I really, really didn't.

Terry Stiastny - Acts of Omission


Rating: 4/5

Review:
Intelligent and engrossing

I thoroughly enjoyed this book. I thought it was very well written with well-drawn and believable characters and a thorough and fascinating insight into the world of politics and the media when a "scandal" arises.

The first thing to say is that this isn't really a thriller, so don't expect a fast-paced espionage nail-biter. It is a study of the effects of a security leak (the now familiar "lost disc") and subsequent scandal on those involved. This includes the civil servant who was responsible for the loss, the newly appointed junior minister whose "responsibility" it is, how the press and Government (and some individuals within them) work in such times, and so on. There are a couple of unexpected developments but no Shocking Twists, Conspiracies Which Go Right To The Top or the like. It is just a very believable and - to me, anyway - gripping close-up account of the unfolding of the sort of thing we might read and hear about on the news from time to time.

Terry Stiastny is very well placed to know about all this, having been a distinguished political reporter for the BBC for many years. Ex-journalists don't always make good novelists by any means, but I think Stiasny has produced a very good novel here. She writes readable, unsensational prose and creates very plausible characters whom she views realistically but generally with a refreshingly unjaundiced eye. As a result, I found this as involving as a good many thrillers I have read.

A number of other reviewers have lamented the lack of plot, but for me that's not the point, and I recommend this warmly as an intelligent and engrossing read.

Tim Winton - Eyrie


Rating: 5/5

Review:
An excellent, haunting novel

I thought this was an extraordinary and rather brilliant book. It's pretty unremittingly bleak and after 400-odd pages has an odd, inconclusive ending but I found it gripping, very insightful and exceptionally well written.

It's hard to give much idea of plot because things emerge slowly and to give much away would spoil the book, I think. It is set in Fremantle, Western Australia and the protagonist is Tom Keely who is in bad shape - addicted to drink and pills with his life as an ex-environmental campaigner in ruins. A rather tense, threatening plot develops in the second half of the book, but it seems to me that the book's real theme is the question of how much good we can really do, even when our intentions are noble and our hearts are really in it, and whether following our consciences to possible self-destruction is the right thing to do. There's a very telling conversation about half way through in which his mother says, "You save yourself first, Tom. ... To save a drowner you need to be a swimmer. Remain a swimmer." It's a knotty issue which Winton treats with intelligence and humanity and to which he offers no easy answers.

The prose is excellent; lucid, easy to read and full of intelligence. This brings the whole thing to life, and I found that I really wanted to know about this bleak tower-block, the scorching and hostile city and Tom's hung-over blunderings and cynical take on the world. It doesn't sound like an alluring prospect, I know, but there is a wit and a humanity throughout which I found very engaging. Winton manages some wonderfully penetrating observations on modern life without ever being preachy or bombastic. As a tiny example, in a rather self-regarding restaurant, "As if resisting the catalogue of fetishes on the menu, she ordered briskly, almost offhandedly, and he found himself following suit. The waitperson stalked off as if aggrieved by their want of reverence..." I thought that a brilliant and witty summing-up of a place and attitude (including the deadpan use of "waitperson") and the book is sprinkled with similar little gems.

I think this is an excellent, haunting novel with important things to say and which is also very gripping and very readable. Warmly recommended.

Monday, 8 February 2016

Nik Cohn - Awopbopaloobop Alopbamboom


Rating: 5/5

Review:
Still very good

Written in 1969, this remains for me one of the best books about rock and pop music between 1955 and 1968. It documents the rise of Rock & Roll, the Beatles and the Stones, flower power, psychedelia and so on, all of which has been very well done by others, too, but Nic Cohn was *there* and had been there recently. Not only that, but he has a wonderful writing style and a sharp, incisive take on things.

Cohn's style is fairly hip, cool and opinionated. I like it a lot, like his summing up of the difference between music in Britain and the USA in the early 60s: "Elvis became a god. Tommy Steele made it to the London Palladium." Or, on hearing Little Richard: "The message went
'Tutti frutti, all rootie,
Tutti frutti, all rootie,
Tutti frutti, all rootie,
Awopbopaloobop alopbamboom.'
As a summing up of what pop is really all about, this is little short of masterly."

Or try this more extended example of his style, describing Tina Turner (remember this was in the mid 60s):
“I remember seeing them [Ike and Tina Turner] in a London Club one time and I was standing right under the stage. So Tina started whirling and pounding and screaming, melting by the minute, and suddenly she came thundering down on me like an avalanche, backside first, all that flesh shaking and leaping in my face. And I reared back in self-defence, all the front rows did, and then someone fell over and we all immediately collapsed in a heap, struggling and cursing, thrashing about like fish in a bucket.
“When I looked back up again, Tina was still shaking above us, her butt was still exploding, and she looked down on us in triumph. So sassy, so smug and evil. She’d used her arse as a bowling ball, us as skittles, and she’d scored a strike.”

If you like that, you'll like the book. You certainly won't agree with everything he says because he's opinionated, slick, controversial and sometimes downright wrong, but I think this is a fascinating, funny and really enjoyable read. 45 years on it's still very rewarding and I recommend it very warmly.

T.H. White - The Once and Future King


Rating: 5/5

Review:
A masterpiece

I think this is a magnificent book. It is involving, gripping, learned, wise and humane and is written in lovely, clear readable prose. I have loved it for decades now and return to it every so often with undiminished pleasure.

It is, of course, a retelling of the Arthurian legend but with a focus on the humanity of the characters involved as well as their high, heroic deeds and purpose. White's portrayal of Arthur's growing-up in The Sword In The Stone is a genuine masterpiece of English literature, I think, even if it was later trivialised by Disney. There is genuine erudition, insight and wit here in abundance, with a fine view of humanity and its variety, its nobility and its failings. This continues into the remaining books where White's portraits of Arthur and Lancelot in particular are simply wonderful, but his superb evocation of dozens of other characters make this a full, rich book.

White sticks pretty closely to Malory, for whom he has a deep respect, but he renders the tales and characters wonderfully real and accessible. Parts of the book make me laugh out loud while others, like the paragraph in The Ill-Made Knight which begins "Lancelot came back out of a rainstorm, wet and small," move me profoundly. His understanding of and compassion for his characters is remarkable. For example, in the scene where Lancelot heals the wounds of Sir Urre, White quotes Malory's magnificent sentence, "And ever Sir Lancelot wept, as he had been a child that had been beaten," but also makes the beautifully profound observation that "This lonely and motionless figure knew a secret that was hidden from the others. The miracle was that he had been allowed to perform a miracle."

I have to say that although the first four books here are all masterpieces in my view, The Book Of Merlyn was written significantly later when White's powers had faded somewhat, and isn't very good. Nevertheless, as a whole volume this contains some absolutely superb writing and truly great literature and storytelling. If you haven't read it yet, a treat awaits. Very, very warmly recommended.

Gillian Galbraith - The Good Priest


Rating: 3/5

Review:
OK, but...

I thought this was a reasonably readable mystery, but it didn't quite hit the spot for me. It's the story of a priest in a small Scottish town who learns of a crime via the confessional. As apparently unrelated murders begin to seem linked to the crime he has to wrestle with his conscience, and (of course) to put himself in danger in order to solve the mystery. There are Unexpected Twists and, naturally, a Dangerous Face-to-Face Final Encounter With The Killer.

If it all sounds a bit stale and predictable...well, it is a bit. It's not terrible by any means but it doesn't really come to life for me. If you're dealing with now well-worn themes and the hero being Thwarted And Disbelieved At Every Turn you really need something special in the way of character or writing and this hasn't really got it. Gillian Galbraith works hard at developing her characters and giving a vivid sense of place, but I was always aware of her working at it so it never really involved me in either the people or the story and I found much of it dispiritingly predictable.

I'm sorry to be critical. Others have enjoyed this very much so do read their reviews before being put off by mine. There's nothing actually wrong with the book, but it did very little for me and I won't be bothering with Fr. Vincent Ross again, I'm afraid.

Sunday, 7 February 2016

Britta Bolt - Lonely Graves


Rating: 4/5

Review: A decent mystery but with flaws

I quite enjoyed this unusual mystery/thriller, but I did have my reservations about it. Set in Amsterdam, the protagonist is Pieter Posthumus, a civil servant whose job is to locate the families of those who die alone or unidentified, and to give the unclaimed dead a dignified funeral. Naturally, he is humane, empathetic and exceptionally diligent, and this leads him to conduct what are effectively criminal investigations on his own. Here he is looking into the death of two men in whom the police are not interested, but whose deaths turn out to be related to each other and to possible terrorist activity which is being investigated by the security services.

The plot development is slow and largely action-free, with plenty of character development and local atmosphere. I often like this very much, but it did feel a little turgid in this book, with the sense that the authors were trying just a bit too hard to paint a colourful picture and not really getting on with the story. There is some fairly convincing background about Muslim attitudes and the attitudes of others to them, but I found a lot of the plot and some characters pretty unconvincing. Posthumus's persistent refusal to go to the police is plain silly, for example, and I found him just a little too saintly in his unfailing humanity and integrity to be wholly convincing. Similarly the unscrupulous security service boss and his behaviour seemed thoroughly implausible, and there were coincidences and unlikely happenings which made it all seem a little thin to me.

The prose is decent enough in translation and there's nothing really wrong with the book, but it didn't quite do it for me, somehow. My rating is rounded up from 3.5 stars because only 3 stars seems churlish for a decently written book, but I'm not sure I'll be bothering with the rest of the (inevitable) trilogy.

Ben Fergusson - The Spring of Kasper Meier


Rating: 4/5

Review:
Good, but with reservations

The publisher kindly sent me a proof copy of this book to review, and I thought this was a good, well written novel with a remarkable evocation of post-war Berlin, but I did have my reservations.

The story is set in the spring of 1946. Berlin is still shattered and occupied by Allied troops. People scrape by as best they can amid the rubble and ruined lives. Kasper Meier is one man scraping by, dealing, bartering and "finding" things and information for people. He is approached and effectively blackmailed into finding an RAF pilot, and begins to be drawn into some very dark and sinister dealings. To say more would be to give away more than I would like to have known before reading the book, but it's a bleak tale set in a cold, ruined and feral city, redeemed by a couple of affectionate relationships and a slight sense of hope.

Ben Fergusson writes very well, in clear, readable and unaffected prose. The evocation of Berlin at the time is remarkable, and he manages a Hitchcock-esque building of tension by suggestion and hints of menace rather than lots of action and violence. I found the characters generally believable and well-painted and he makes important points about oppression and persecution of gays well and without bombast.

The trouble for me was that there was an awful lot of rubble, cold, insufficient food and barter with people we don't know, but not much else for long periods. It did get a bit much, especially in the first 120 pages or so. Even when the pace began to pick up a bit, I found it all a little sluggish - I'd really, really got the point and was thinking "enough with the rubble and the deals" - and it was a bit of a slog in parts, to be honest. I know it is important to build realism and atmosphere, but it is possible to overdo these things. It also meant that there had been so much dark, sinister background that when the genuinely dark, sinister truth was revealed it didn't seem all that dark and sinister in the context.

The book is almost 400 pages long, and I think it might have been better at nearer 300. It's still well worth reading and I'll certainly give Ben Fergusson's next book a go, but I hope he brings a little more of the tautness to it which this one needed. Three stars would be very churlish, but it's four stars with reservations, really.

Thursday, 4 February 2016

Alex Shearer - This Is The Life



Rating: 5/5

Review:
Touching, funny and wise

I thought this was an excellent book. The story is a "much fictionalised" (the author's words) account of Alex Shearer's experience of the death of his brother. It sounds grim, but it isn't - I found it very readable, extremely funny at times and very, thoughtful and wise. There is a very narrow path to tread in a book like this between flippancy on the one hand and mawkish sentimentality on the other, but Shearer never puts a foot wrong, I think. I have had more experience of watching family members die of cancer than anyone really ought, and this is one of the most enjoyable and most insightful things I have read about it.

The story is a simple one. The narrator flies out from Britain to Brisbane where his brother, whom he has not seen for many years, has a brain tumour and is in the last stages of life. It doesn't sound like much of a plot, but I found it very gripping. What makes this so good is that Shearer writes very well in an easy but deceptively profound way, and he captures so many aspects of a death like this with a light touch but genuine insight. I laughed out loud several times, and often nodded in recognition of both how people behave and at the narrator's own thoughts. Shearer catches brilliantly some of those things which take you off guard - that terminal illness doesn't mean people's annoying traits go away, for example, or that the situation can be infuriating, hilarious and heartbreaking all at the same time. He has some lovely, humane interludes of the narrator just mulling things over and also some very sharp, pithy lines like "hospitals are no place for the sick and vulnerable."

Shearer neatly presents the behaviour and attitudes of others to the illness, too. It's never heavy-handed or preachy, but we see the small, important kindnesses in some people and the self-obsession of others. Also, those people who "know, I just know" that he'll get better, that he can "fight" this, that he got a brain tumour by thinking the wrong sort of thoughts and all the other things people say, often with good intentions and very seldom with intent to hurt, but which are unhelpful and sometimes hurtful nonetheless. People often simply don't know what to do in the face of impending death, and Shearer paints very neat sketches of some of the ways in which people try to deal with it (or run away from it).

I could go on, but I won't. I really think this is an exceptionally good book, written with wit, compassion and humanity. It's a very easy read and a very rewarding one. It is touching, funny and wise; I recommend it warmly.

Wednesday, 3 February 2016

Tana French - The Secret Place


Rating: 5/5

Review:
Brilliant

This is another quite brilliant book from Tana French. It has a crime as the plot driver, but it is really a novel of character, of how groups behave and of the experience of adolescence.

The story is told in two intercut narratives. In the present day, the investigation of the death of a boy in the grounds of a girls' school in Dublin a year ago is reopened by a possible new lead. This is narrated by a young Detective Constable, Stephen Moran, in an utterly convincing voice, beautifully capturing both the narrator and what he experiences. The other tale is of what actually happened leading up to the murder told in the third person in fantastically evocative prose which is almost poetic at times. It is perfectly structured and paced, the tension and atmosphere is built relentlessly and it held me completely gripped.

What really makes this book so good is Tana French's ability to understand and portray the inner world of her characters and the experience of school and adolescence. The detective narrator and the adolescent schoolgirls at the centre of the investigation are beautifully painted and even minor characters are completely convincing. French has the ability to portray people vividly in just a few penetrating words or a couple of lines of dialogue, like a teenage girl observing the wealthy mother of a schoolmate: "Alison's mum has had a lot of plastic surgery and she wears fake eyelashes the size of hairbrushes. She looks sort of like a person but not really, like someone explained to aliens what a person is and they did their best to make one of their own." This is just a random example; the book is full of clear insight, exposure of false posturing and often great humanity and compassion.

This is a very fine novel as well as a gripping crime mystery. Warmly recommended to anyone who likes a gripping, intelligent read.

Tobias Jones - The Salati Case


Rating 4/5

Review:
A very good detective story

I enjoyed this book very much - a lot more than many other reviewers, it seems. I thought as a private detective mystery it worked very well, with a credible and comprehensible plot which was very well developed in the narrative, and believable, well-drawn characters. Jones (who lives in Parma) also creates an excellent sense of place - Northern Italy in winter - and the mores and politics of the city and of Italy itself, and I found the central character narrating the story interesting and sympathetic in a flawed, human way

Like one or two other reviewers, this book put me in mind of Raymond Chandler. No one, of course, has Chandler's uniquely brilliant style, but the first-person narration by a solitary, fundamentally moral character, the way in which he describes the gumshoe work of talking to people and his semi-co-operative and uneasy relationship with the police were all reminiscent. Even the beekeeping reminded me of Marlowe's chess problems as a way of distancing himself from the moral squalor he has to work with. All this is very much to the good, and Jones's prose has a style of its own which I liked very much: direct, unfussy, rather spare and a pleasure to read.

I found this was a very thoughtful, engrossing and enjoyable book. I hope it is sufficiently successful to develop into a series. I certainly look forward to more and I can see Castagnetti becoming yet another well-loved fictional detective. Perhaps not five stars, but certainly four-plus. Highly recommended.

Paul Hoffman - The Left Hand Of God


Rating: 3/5

Review:
Something missing

The competent, easy-flowing prose makes this book an accessible read, but in the end I thought it didn't add up to much. It is a fantasy (although with no magic) set in an alternative version of history in an unspecified part of Europe and a time resembling the 15th Century. It follows the adventures of three boys escaping from a hideously repressive Sanctuary, and their subsequent adventures. Some - but by no means all - of the narrative is quite gripping and there are some decent action set pieces, but I'm afraid I felt that there was a rather off-the-peg feel about the whole book, making sure the usual hooks were all covered. The hideously brutal Redeemers, the aristocratic and sneering Materazzi, the beautiful princess...it just seemed a bit by-numbers.

Similarly, the targets for satire - sneering aristocrats, brutal and hypocritical religious zealots, vacuous and self-regarding bimbos, and so on - are worthy subjects but were all so grotesquely exaggerated that it took much of the sting out of it. Also, the style is often gently ironic which simply doesn't fit the story it is telling.

I don't want to be too critical because it's by no means dreadful. It's perfectly readable but I can't give it four stars

Tuesday, 2 February 2016

Cynthia Harrod-Eagles - One Under


Rating: 4/5

Review:
A very decent police procedural



I was offered a free ARC of this book via Netgalley and tried it because it is set in Shepherds Bush – an area of London I know well.  It turned out to be a solid, well-written police procedural which was very good for the first three-quarters of its length, although I thought it did get a little silly toward the end.

This is The eighteenth in the series featuring these characters, but I found that I could enjoy it perfectly well without knowing what had gone before.  It begins with a suicide at Shepherds Bush Station as a man jumps under a train and then an apparent hit-and-run miles away on the outskirts of London.  Diligent, solid police work eventually leads to the two seeming to be linked, and the case develops into an investigation into high-level malfeasance.  It's generally very well done.  Cynthia Harrod-Eagles writes good, readable prose and creates believable characters who, by and large, behave believably.  Her police officers are a varied but pretty normal, well-balanced bunch who do actually follow procedure (yes, really!) and the main protagonist DCI Bill Slider is sane, happily married to a professional violinist and a good, diligent, honest copper who is trying to do a decent job while beset by budgets and managerial bull-excrement.  It feels realistic and plausible, and I enjoyed the varied cast of characters.

Sadly, Harrod-Eagles isn't wholly immune from the clichés of the genre, and things do get a little silly toward the end – especially one scene in which a suspect confesses and explains everything to Slider, thinking himself too well-protected to be prosecuted.  It just seemed absurd to me – which is a pity, because most of the rest of the book rang pretty true.  Nonetheless, it's a very decent book overall.

I have somehow managed to miss Cynthia Harrod-Eagles until now, but I am glad to have discovered her.  I won't be dashing out instantly to find more, but if one comes my way I will certainly read it with pleasure.  I can recommend One Under as an enjoyable read.